![]() The right-hand side toolbar contains the app's various panels, including a simple help panel, which is useful when you don't know how to use an object. But these generic items will need to be tweaked if the dimensions don’t match what you need. For example, there are generic items such as home fixtures or fittings that you can easily find. The 3DWarehouse is a great resource for finding quality components and fittings, but it can become time-consuming. Additionally, most templates are not just external shells but have interior details too. You will have the ability to create ambitious projects such as mansions or skyscrapers. The online library includes full models of various building types that you can import into SketchUp and customize to make it your own design. SketchUp also has a vast array of 3D models from which you can download and customize everything from fences to refrigerators. ![]() For starters, the navigation and drawing tools are on opposite sides of the toolbar instead of sharing space like they do with alternative packages. However, SketchUp Make is a different tool from most design software. Then, edit the shapes with precision tools, including pencils, line weights, colors, and more. Easily drag-and-drop shapes from the toolbar into a workspace. ![]() SketchUp Make's interface is uncluttered and straightforward, allowing you to focus on your design.
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When it comes to Robin Hood novels, however, representations of Marian differ from typical Victorian gender norms. One of these ideals was that women should be the ‘the Angel in the House’, confined almost exclusively to the domestic sphere. Studying popular literature is important in discussions of gender history because popular literature projected gender ideals to their readers. Penny Tinkler writes that ‘the study of popular literature, in particular novels and periodicals, has contributed important dimensions the history of girls and women in England during the nineteenth and twentieth centuries’. Stocqueler’s Maid Marian the Forest Queen (1849) – unless otherwise indicated, all images have been scanned from books in my personal collection. ![]() Header image scanned from my personal copy of J. A paper read at the Women in Print Conference, Chetham’s Library, Manchester |
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